The Lord’s Last Farewell to his Friends

aka, Mecca.April 26, 2019
Great & Holy Friday

I am an art collector. A good painting with an equally good story has a way of catching my eye and heart. But because I have neither the time nor the pocketbook, most of my collecting happens online via Google image searches. And once I find an image that means something particular to me, I like to hunt it down to its source, where it lives, usually in a museum or sometimes in a church.

When I was recently in Chicago for a clergy retreat, I felt compelled to visit that fine city’s Art Institute. I remembered it to be the home for at least one or two of my favorite works. But as I neared the marble steps, I was racking my brain to remember the particular painting there that had stolen my heart the most. It wasn’t Edward Hopper’s Nighthawks or Wood’s American Gothic; neither was it the Paris Street; Rainy Day or any of the museum’s excellent collection of Rembrandt. All of these are undoubted masterpieces, but they don’t tell a story that speaks directly to me. Continue reading

An Underground Museum

I had an enlightened conversation the other day with the young daughter of my wife’s best friend in Moscow. In her young age of only 15, she has had the great fortune of living abroad with grandparents in Canada for half a year, and so she has some perspective on her own motherland. Since all of her family members are practicing artists, it is not surprising that our discussion revolved around art. But art for a Russian means something different than for an American, or rather the people have a different relationship to art. For a Russian, paintings are not simply objects which are consigned to museums, available for an elite segment of society that can afford the time and money to develop a taste for “that sort of thing.” They are rather like windows to the soul of every Russian, companions to them along the way, and just as everywhere present in society as icons are ever-present in the churches. Continue reading